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How a modest piano teacher from Brooklyn can give such a tremendous interpretation of Bach's Gorldberg, which can stand side-by-side with the best ever interpretations of this masterpiece made by the biggest, like Gould, Perahia or Tureck? That's a big mystery, or the total dedication of a woman who started from zero, who had to self-produce this cd, to communicate her vision : a Bach in a more human aspect, more feminine perhaps, where silence is as important as the notes are...
I bought the cd two years ago, I have listened to it more than 50 times maybe, while I trade mostly. I can sing now some of the variations from memory.. What is common between this divine music and the waves on the charts? Harmony..
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